浅论泰戈尔象征剧

Analyze and study Tagores symbolic drama

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DOI 10.12208/j.jctr.20220023
刊名
Journal of Culture and Tourism Research
年,卷(期) 2022, 1(2)
作者
作者单位

陕西师范大学文学院 陕西西安 ;

摘要
罗宾德纳特•泰戈尔(Rabindranath Tagore,1861.5.7- 1941.8.7)作为印度著名的诗人、戏曲家、宗教家,他的一生创作了40余部戏剧作品,形式多样、种类繁多。他的戏剧作品成功地运用了象征主义的技巧和艺术手法,他重视作品的“情味”,追求“梵我合一”的精神境界。他的作品内容深刻反映了当时英国殖民统治下的印度人民的悲惨生活。泰戈尔的戏剧与传统西方戏剧的区别在于,他的作品从反映现实到反应哲理,戏剧矛盾从外部冲突到内在情感矛盾。他最具代表性的象征剧有:《春之循环》、《修道士》,《邮局》,《红夹竹桃》等,这些作品都不同程度的表现出了作者追求美与和谐——在有限之中享受无限愉悦的人生态度和追求自由的人生理想,以及对当时资本主义侵略的反抗。
Abstract
Rabindranath Tagore (1861.5.7~1941.8.7) was a famous Indian poet, dramatist and religious scholar. He wrote more than 40 plays in various forms and types during his lifetime. He show the symbol of success of using the technique of symbolism and artistic means, attaches great importance to the work of "flavor", the pursuit of "Vatican I unity" spirit realm, and profoundly reflects the British colonial rule ofthe miserable life of the people of India, his work compared with the traditional western drama from the reality to the reaction philosophy, drama contradictions conflict from outside to inner emotional conflict. He has: the symbol of the most representative drama "cycle of spring", "the monk," "post office", "red oleander", etc., all these works show the author the pursuit of beauty and harmony of different level - enjoy the infinite pleasure in limited life attitude, the pursuit of free life ideal, and at the time of colonial aggression against capitalism.
关键词
象征剧;文化根源;特点;主题
KeyWord
Symbolic drama; Cultural origin; Characteristics; Theme
基金项目
页码 68-74
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张亦弛*. 浅论泰戈尔象征剧 [J]. 文化和旅游研究. 2022; 1; (2). 68 - 74.

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