“唱”在字与腔之间:戏曲“唱法”概念的认知与反思

Between character and tune: the cognition and reflection on the concept of "singing method" in XiQu

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DOI 10.12208/j.ssr.20260058
刊名
Modern Social Science Research
年,卷(期) 2026, 6(2)
作者
作者单位

武汉音乐学院 湖北武汉

摘要
本文从不同主体角度分析“唱法”一词的认知与界定,立足民族声乐与传统戏曲声乐的实践互动语境,辨析唱法与发声方法的概念边界。通过回溯“土洋之争”的历史语境,结合田野调查与文献研究,揭示唱法是声音表达与文本呈现的有机统一体——声音层面包含发声方法与字音韵辙的协同作用,文本层面则涉及创作模式与腔格表达的深层关联。
Abstract
This paper analyzes the cognition and definition of the term "singing method" from the perspectives of different subjects. Based on the practical interactive context of national vocal music and traditional Chinese opera vocal music, it distinguishes the conceptual boundaries between singing method and vocalization technique. By tracing back to the historical context of the "dispute between indigenous and Western singing styles", combined with field investigation and literature research, this paper reveals that singing method is an organic unity of sound expression and textual presentation. On the sound level, it involves the synergistic effect of vocalization technique and the rhyme and prosody of Chinese characters; on the textual level, it relates to the in-depth connection between creative modes and tune patterns.
关键词
“唱法”;戏曲;民族声乐
KeyWord
Singing method; Traditional Chinese opera; National vocal music
基金项目
页码 94-99
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郭羿努. “唱”在字与腔之间:戏曲“唱法”概念的认知与反思 [J]. 现代社会科学研究. 2026; 6; (2). 94 - 99.

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