黄哲伦《蝴蝶君》“戏中戏”结构作用分析
Analysis of the function of the play within a play structure in David henry Hwangs "M. Butterfly"
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| DOI |
10.12208/j.ssr.20250096 |
| 刊名 |
Modern Social Science Research
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| 年，卷(期) |
2025, 5(3) |
| 作者 |
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| 作者单位 |
成都大学 四川成都
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| 摘要 |
美国华裔作家黄哲伦的戏剧《蝴蝶君》一直被视为对东方主义颠覆性解构的经典文本，在后现代主义视角下，围绕其展开了关于性别与文化、民族与国家、身份与认同等议题的讨论。作为一部戏剧杰作，其本身的戏剧创作手法却常常受到忽视。本文拟从间离效果、角色塑造、身份认同三个方面分析《蝴蝶君》“戏中戏”结构的作用效果。
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| Abstract |
David Henry Hwangs play "M. Butterfly" has long been regarded as a classic text that subverts Orientalism. Under the postmodernist perspective, discussions have been held around it concerning gender and culture, ethnicity and nation, identity and recognition. As a dramatic masterpiece, its own dramatic creation techniques are often overlooked. This paper intends to analyze the effect of the "play within a play" structure in "M. Butterfly" from three aspects: alienation effect, character shaping, and identity recognition.
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| 关键词 |
戏中戏；《蝴蝶君》；戏剧结构；戏剧效果
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| KeyWord |
Play within a play; "M. Butterfly"; Dramatic structure; Dramatic effect
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| 基金项目 |
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| 页码 |
56-60 |
张雪倩,米昊阳*.
黄哲伦《蝴蝶君》“戏中戏”结构作用分析 [J].
现代社会科学研究.
2025; 5; (3).
56 - 60.