六盘山花儿的比兴艺术
The art of Analody and evocation in Liupanshan Huaer
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| DOI |
10.12208/j.ssr.20250237 |
| 刊名 |
Modern Social Science Research
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| 年，卷(期) |
2025, 5(6) |
| 作者 |
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| 作者单位 |
宁夏师范大学外国语学院 宁夏固原
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| 摘要 |
花儿被誉为“活着的《诗经》”，其比兴艺术在承袭《诗经》传统的基础上，呈现出鲜明的民族性与地域性特征。本文从“比喻”与“起兴”双重维度切入，系统分析比兴艺术在六盘山花儿中的表现形态与文化功能，以期为非遗保护提供学理支持与实践参照。
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| Abstract |
Known as the “living Classic of Poetry,”the Huaer ballads of Liupan Mountain inherit and develop the traditional metaphor and evocative imagery artistry of the Classic of Poetry, exhibiting distinct ethnic and regional characteristics. This paper systematically analyzes the manifestations and cultural functions of metaphor and evocative imagery artistry in Liupanshan Mountain Huaer from dual dimensions of “metaphorical expression” and “evocative initiation.” By doing so, it aims to provide theoretical support and practical references for the preservation of this intangible cultural heritage.
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| 关键词 |
花儿；比兴艺术
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| KeyWord |
Huaer; Metaphor and evocative imagery
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| 基金项目 |
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| 页码 |
133-136 |
刘霞*.
六盘山花儿的比兴艺术 [J].
现代社会科学研究.
2025; 5; (6).
133 - 136.