浪花的激越与眼泪的悲哀——新编汉剧《夫人城》的创新演绎
The waves rose and the tears of sorrow——The innovative interpretation of the new Han drama “Lady City”
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| DOI |
10.12208/j.ssr.20250064 |
| 刊名 |
Modern Social Science Research
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| 年，卷(期) |
2025, 5(2) |
| 作者 |
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| 作者单位 |
1 文华学院人文社会科学学部，湖北省非遗研究中心 湖北武汉,2 文华学院人文社会科学学部新闻系 湖北武汉
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| 摘要 |
国家艺术基金大型舞台创作资助项目、新编大型历史汉剧《夫人城》推出一年多来，演出不断，颇受好评。编导演团队在叙事、舞台表现方面着力创新：一方面打破三国戏固有的英雄叙事传统，选择孙尚香这位三国英雄背后的女性作为主角，通过她与每个英雄的往来际遇，深入探求功名大业背后人性的复杂与人生命运的困顿；另一方面该剧在舞台布景上化具象为抽象，色彩表现上突出地域特点，戏曲表现形式上强化民间风格。这些方面无不体现出汉剧《夫人城》在尊重传统基础上大胆创新的审美追求。
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| Abstract |
For more than a year since the launch of the large-scale historical Han drama "Lady City", it has been performed continuously and well received. The directing team focuses on innovation in the aspects of narrative and stage performance: on the one hand, break the drama of the hero of Sun Shangxiang, the hero and the hero, to explore the complexity of humanity and the fate of the drama, highlight the color of the regional features, and strengthen the folk style in the form of opera. All these aspects reflect the aesthetic pursuit of bold innovation on the basis of respecting the tradition.
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| 关键词 |
汉剧；《夫人城》；三国戏；王荔
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| KeyWord |
Han Opera; "Lady City"; The Three Kingdoms drama; Wang Li
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| 基金项目 |
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| 页码 |
75-78 |
王芳*,杨莉.
浪花的激越与眼泪的悲哀——新编汉剧《夫人城》的创新演绎 [J].
现代社会科学研究.
2025; 5; (2).
75 - 78.