理性的狂欢：印象主义的视觉逻辑与哲学维度
Rational carnival: visual logic and philosophical dimension of impressionism
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| DOI |
10.12208/j.ssr.20250303 |
| 刊名 |
Modern Social Science Research
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| 年，卷(期) |
2025, 5(8) |
| 作者 |
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| 作者单位 |
武汉工程大学艺术设计学院 湖北武汉
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| 摘要 |
本文从光学理论、摄影术影响、哲学美学与视觉感知重构四个维度，探讨印象主义究竟是一场情感的宣泄，还是一场理性的狂欢。通过分析牛顿的光谱理论、德勒兹的“感觉的逻辑”，并结合康德与席勒的哲学观点，本文提出：印象主义在看似感性的语言下，隐藏着对视觉经验的理性组织方式。它开启的不仅是形式革新，更是视觉哲学的现代起点。
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| Abstract |
This paper explores whether Impressionism is an emotional catharsis or a rational carnival from four dimensions: optical theory, the influence of photography, philosophical aesthetics and reconstruction of visual perception. By analyzing Newtons spectrum theory, Deleuzes "logic of sensation", and combining the philosophical views of Kant and Schiller, this paper proposes that Impressionism hides a rational organization of visual experience under the seemingly sensual language. It not only opens up formal innovation, but also the modern starting point of visual philosophy.
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| 关键词 |
印象主义；视觉哲学；理性；感性；感觉的逻辑
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| KeyWord |
Impressionism; Visual philosophy; Rationality; Sensibility; Logic of sensation
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| 基金项目 |
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| 页码 |
28-32 |
程璧*.
理性的狂欢：印象主义的视觉逻辑与哲学维度 [J].
现代社会科学研究.
2025; 5; (8).
28 - 32.