《数字媒体语境下马鞍山诗城文创产品设计研究》——艺术作品创作本源的思考
Research on Cultural and Creative Products of Maanshan Shicheng in the Context of Digital Media Thoughts on the origin of —— artwork creation
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| DOI |
10.12208/j.sdr.20220202 |
| 刊名 |
Scientific Development Research
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| 年，卷(期) |
2022, 2(6) |
| 作者 |
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| 作者单位 |
皖江工学院艺术设计学院 安徽马鞍山 ;
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| 摘要 |
在科技的语境中，数字媒体艺术被推向高处，尤其表现在高校艺术教育中，学生在选择专业时，会优先考虑新型的数字媒体艺术针对这一现象，新的问题就被抛出来了，即绘画创作以何为本源？随着科学技术的发展，科学逐渐融入艺术领域，打开了艺术的新表达，在创作上，传统手工创作逐渐边缘化，数字媒体创作掀起了热潮。从就业角度来看纯绘画远比不上数字绘画，那么二者创作本源问题就值得被追问了，是否会形成新的取代论？同为艺术的表现手段，它们本源是什么呢？本文围绕这几个问题展开研究。
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| Abstract |
In the context of science and technology, digital media art has been pushed to the top, especially in the art education of colleges and universities. When students choose their major, they will priority new digital media art. For this phenomenon, a new question is thrown out, that is, what is the origin of painting creation? With the development of science and technology, science has gradually been integrated into the field of art, opening up a new expression of art. In the creation, the traditional manual creation has gradually been marginalized, and the digital media creation has set off a upsurge. From the perspective of employment, pure painting is far less than digital painting, so the origin of their creation is worth asking, whether it will form a new substitution theory? What is the origin of both artistic means of expression? This paper focuses on these several issues.
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| 关键词 |
数字书画；手工书画；本源
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| KeyWord |
digital painting and calligraphy; manual painting and calligraphy; the origin
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| 基金项目 |
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| 页码 |
113-116 |
胡媛瑗*.
《数字媒体语境下马鞍山诗城文创产品设计研究》——艺术作品创作本源的思考 [J].
科学发展研究.
2022; 2; (6).
113 - 116.